The histories of country and soul music have always run parallel. Both emerged from the lower-class environs of the Deep South in the early 20th century, blending varying amounts of blues, jazz, gospel, and Appalachian folk music to achieve two discrete concoctions whose surface distinctions — mainly bound to race — only served to mask identical hearts. Over the years, more musicians than can be named here have recognized these crucial similarities; from the “Cosmic American Music” of Gram Parsons and the Flying …

Stax Records Week could not go on without Otis Redding. Granted, too many people have made the mistake of using Redding as a catch-all symbol for all of the great moments in Soul music; but at the same time, whenever that aching, smoky-sweet voice pours out of a set of speakers, anyone can understand why this mistake is so often made. Otis Redding sang with a resonant loneliness that can still capture any listener and both soothe and plummet them to emotional depths few …

If it’s been said once, it’s been said a thousand times (and that’s just by us in the last week): the soul music of the 1960s and early ’70s, and the raw Memphis soul of prime Stax/Volt in particular, is the bridge which connects the African American blues and gospel traditions with the all-consuming force of heavy funk. But to read that statement as some kind of dry, academic fact is one thing; to actually hear it in action is decidedly another. Listening to …

I’m almost ashamed to admit it, but here it is: I, like many music listeners, spent far too many years believing Eddie Floyd’s classic, “Knock on Wood,” was recorded by Wilson Pickett. Now hold on for a second; before you accuse me of a lack of R&B credibility and storm away, the fact is, my embarrassingly long-lived mistake wasn’t too far off the mark.
Anchored by a hard-driving horn refrain and that chunky, funky Steve Cropper guitar, “Knock on Wood” is a dead ringer for …

I’m almost ashamed to admit it, but here it is: I, like many music listeners, spent far too many years believing Eddie Floyd’s classic, “Knock on Wood,” was recorded by Wilson Pickett. Now hold on for a second; before you accuse me of a lack of R&B credibility and storm away, the fact is, my embarrassingly long-lived mistake wasn’t too far off the mark.
Anchored by a hard-driving horn refrain and that chunky, funky Steve Cropper guitar, “Knock on Wood” is a dead ringer for …

Some great voices are instruments of artistry. Stevie Wonder, Curtis Mayfield, Marvin Gaye — these are all composers, pop artistes; their legendary vocals just one element of their equally legendary visions. Other great voices, however, are something else entirely: they, themselves, are the instruments. Otis Williams belongs decidedly to the second category. A founding member of legendary soul quintet the Temptations, his powerful, melodic baritone sounded great on classics like “Ain’t Too Proud to Beg” and “Just My Imagination”…but it was arguably …

Ask a few random people to list the definitive artists of soul music, and Sam Cooke’s name is one that probably won’t come up. Despite this, there’s nothing keeping him from being one of the most pivotal and important artists in black music. There’s no contesting that had Sam not died at his height, he’d be recognized by today’s public as the important innovator, entrepreneur and iconic artist he was. But given a few generation gaps and his (relatively) small body of work, Cooke …