Home » Archive

Articles Archive for Year 2010

Featured, Music »

[ Feb 2010 Issue ]
The Miles Davis Quintet – The Legendary Prestige Quintet Sessions

By 1955, Miles Davis had been recording on the Prestige label for four years. But as his career began to gain momentum, getting a group together was an inevitable career decision. The Miles Davis Quintet consisted of Paul Chambers on bass, John Coltrane on tenor, Red Garland on the keys, Philly Joe Jones on the sticks and Miles on the trumpet. With this group, Miles had more than a steady performance group – he had a vehicle. In the space of about a year, …

Music »

[ Feb 2010 Issue ]
The Vibration – Amarilla

You can’t find a female anywhere who hasn’t dreamed of being in her own band. Almost every girl I know wanted to be the singer or lead guitarist, and belt it out with a “who gives a shit” attitude. They would write songs about scumbag boys or that bitch in geometry class, and wow the crowd with the explosive energy and talent that few females have been able to master. Personally, I’d always fantasize about wearing fierce heels and fishnets, with crazy-ass rock girl hair, …

Music »

[ Feb 2010 Issue ]
White Whale – WWI

I have compiled a list of several prerequisites for nautical-themed rock. Number one: it should either sound like the ocean, the shore, the wind, or the creaks of a boat. This is hard to do without getting all spiritual and New Age, but it’s still a requisite.
Two: it should be able to catch the mood of pirates. While Johnny Depp is currently the king of pirates, one of my housemates put it correctly when he referred to Tom Waits as “pirate rock.” But I’m going …

Music »

[ Jan 2010 Issue ]
Taking Back Sunday – Louder Now

Louder Now, the third album by Amityville, New York emo kids Taking Back Sunday, isn’t really “louder now.” In fact, I’m tempted to say that it might actually be more sugary than their first two albums – it’s riddled with hints of pleasing a younger, more pop-driven audience. Not that Taking Back Sunday’s earlier releases were shrouded with cryptic, brooding, off-center hymns, but there was a sense of originality and that genuine feel I got when I heard those older songs that just …

Movies »

[ Jan 2010 Issue ]
Cut Shorts – A Collection of Short Films and Music Videos by David Markey

David Markey is not a film director. He is the kid down the street who is always trashing the neighborhood and chasing his clown-masked friends with a Super 8 video camera. He is the Southern California boy who was surrounded by moviemaking as a child, and who couldn’t think of any other way to have fun during the long, balmy summers. Cut Shorts, a compilation of Markey’s work, reeks of amateurism and mindlessness; but despite this (or because of it), it still captures the …

Music »

[ Jan 2010 Issue ]
Little Annie – Songs from the Coal Mine Canary

Every once in a while you read a review that describes the album in this manner: “it’s like [insert currently trendy band here] meets [incredibly obscure, vanity band] being raped by a bunch of aliens.” You can replace “being raped by a bunch of aliens” with “thrown in a blender” if you prefer your reviewers to be ashamed of their past Star Trek heritage. But either way, I always felt this was a lazy way of reviewing. I mean, who even really knows what …

Music »

[ Jan 2010 Issue ]
Cut Chemist – The Audience’s Listening

Further proof that the hip-hop world moves too goddamned fast for us rockists: just when we’d gotten the whole “is DJing a legitimate art form” debate through our thick-as-Led skulls, along came Kanye, Danger Mouse, and the Neptunes, and they went and turned it into a producer’s medium.
Now, aspiring Timbalands can even create reputable music on their own home computer – aren’t those the things Jack White hates? – with just a vast MP3 collection, a decent sampling program and a good feel for …